隨著時代經(jīng)濟(jì)的發(fā)展，股票房地產(chǎn)投資的熱潮已然褪去，越來越多的人們開始轉(zhuǎn)向去投資收藏字畫，但字畫收購界也是魚龍混雜，接下來，濟(jì)南名人字畫收購在這里為大家簡要列出字畫收購的5個基本標(biāo)準(zhǔn)，希望廣大藏友認(rèn)真閱讀，對大家有所幫助。
With the development of the economy of the times, the boom in stock and real estate investment has faded, and more and more people have begun to invest in calligraphy and painting collection, but the calligraphy and painting acquisition industry is also a mixed bag. Next, Jinan celebrity calligraphy and painting acquisition here briefly lists the five basic standards for calligraphy and painting acquisition, hoping that the majority of Tibetans can read carefully and help everyone.
一、書法程度的上下
1、 The level of calligraphy
老一輩藝術(shù)家張仃曾呼吁"守住畫的底線",這個底線就是書法。書法表如今國畫中，一是書法用筆，二是題跋書寫的藝術(shù)美。畫考究書法用筆，"以書入畫"是古代畫家不斷在理論和追求的。"骨法用筆"指的就是書法用筆。蘇東坡、倪瓚、徐渭、黃賓虹等都是以書入畫的高手。書法是一門需求常年累月練習(xí)的藝術(shù)，寫書者要心平氣和才行。如今好多畫家不注重書法的練習(xí)，也不注重筆墨，招致畫面沒有筆墨的氣韻，以連款都不敢落，提筆露怯，這樣的作品或藝術(shù)家就不算是潛力股。同樣的作品，題跋較長者比窮款者價值要高一些。
Zhang Ding, an older artist, once called for "keeping the bottom line of Chinese painting", which is calligraphy. Calligraphy represents the artistic beauty of calligraphy and postscript writing. Chinese painting pays attention to the use of calligraphy, and "painting with calligraphy" is the constant theory and pursuit of ancient painters. "Skeletal brush" refers to the calligraphy brush. Su Dongpo, Ni Zan, Xu Wei, Huang Binhong and others are masters of painting with calligraphy. Calligraphy is an art that requires years of practice. The writer should be calm. Nowadays, many painters do not pay attention to calligraphy practice or pen and ink, which leads to the lack of ink and ink in their paintings. Even they dare not pay attention to money. Such works or artists are not potential stocks. For the same works, those with long inscriptions and postscripts are more valuable than those with poor money.
二、有沒有學(xué)術(shù)支撐
2、 Is there any academic support
言之無文，行而不遠(yuǎn)。書畫家的學(xué)術(shù)程度會影響他創(chuàng)作的深度和可持續(xù)度。理論指導(dǎo)理論，這也是古人要讀萬卷書的一個緣由。經(jīng)過閱讀、創(chuàng)作與交流，久而構(gòu)成本人的一套理論體系，或是對藝術(shù)的共同視角，這對藝術(shù)家的生長有重要的意義。這種學(xué)問還包括文學(xué)、史學(xué)、音樂、舞蹈、中醫(yī)、太極等等，從傳統(tǒng)文化中吸取營養(yǎng)，豐厚和深化創(chuàng)作內(nèi)涵，作品才有風(fēng)格。
Words without words will not go far. The academic level of a calligrapher and painter will affect the depth and sustainability of his creation. The theory guides the theory, which is one reason why the ancients wanted to read thousands of books. Through reading, creation and communication, I have formed a set of theoretical system or a common perspective on art for a long time, which is of great significance to the growth of artists. Such knowledge also includes literature, history, music, dance, traditional Chinese medicine, Tai Chi, etc. Only by absorbing nutrition from traditional culture and enriching and deepening the connotation of creation can works have style.
三、影響力和知名度
3、 Influence and popularity
名家與非名家，是權(quán)衡藝術(shù)價值和投資價值的重要界線。在某種水平上，藝術(shù)品投資就是投資名家的作品。這里名家也分大名家和小名家。一些影響力和知名度特別大的書畫家作品，固然收益比擬高，但投資本錢也高。對一個普通畫家來說，要進(jìn)步知名度是一件很艱難的事情，他需求畫廊、經(jīng)紀(jì)人、拍賣公司、媒體等諸多方面的努力才干有一些效果。假如畫家已有了一定的知名度，那么他的市場就會隨之升溫，珍藏者也就更關(guān)注。
Famous artists and non famous artists are important boundaries to weigh artistic value and investment value. To some extent, art investment is to invest in the works of famous artists. Here, famous people are also divided into big famous people and small famous people. Some calligraphers and painters' works with great influence and popularity, although their income is relatively high, their investment cost is also high. It is difficult for an ordinary painter to improve his popularity. He needs the efforts of galleries, brokers, auction companies, media and many other aspects to have some effect. If a painter has gained a certain popularity, his market will be heated up and collectors will pay more attention to him.

四、作品自身的藝術(shù)程度
4、 The artistic degree of the work itself
作品自身的藝術(shù)程度，才是權(quán)衡其價值的主要要素。這觸及到書畫的三境地：景物境地、筆墨境地和人文境地。一幅作品自身對山川自然"象其物宜"的描畫，就是景物的境地。能夠看到它的技法、風(fēng)光之美、章法規(guī)劃之妙。假如在景物的根底上，還有"筆精墨妙"的筆墨境地那就更好。的山水畫以筆取氣得其陽剛之美，以墨取暈得其陰柔之美。筆墨的精妙可氣韻，氣韻生動乃畫之高境。書畫作品的人文境地能夠表現(xiàn)在題材、畫旨、畫趣、詩詞題跋等方面。
The artistic degree of the work itself is the main factor to weigh its value. This touches on the three realms of painting and calligraphy: landscape realm, brush and ink realm and humanistic realm. A work's own description of the nature of mountains and rivers "as suitable as its objects" is the situation of scenery. We can see its techniques, beauty of scenery and wonderful planning. It would be even better if there were "fine brush and ink" on the basis of the scenery. Chinese landscape painting obtains its masculine beauty by drawing qi with pen, and its feminine beauty by drawing faint with ink. The subtlety of brush and ink can give birth to verve, and the vivid verve is the high realm of painting. The humanistic situation of calligraphy and painting works can be expressed in the subject matter, painting purpose, painting interest, poetry and postscript, etc.
五、市場鋪墊和表現(xiàn)
5、 Market foreshadowing and performance
藝術(shù)作品一旦進(jìn)入市場，就是一種商品，需求市場的運作來助其順利轉(zhuǎn)換效果益。有的畫家一門心機(jī)放在創(chuàng)作上，不屑于俗事，作品沒人知曉，自然也就沒有市場。有些畫家常做一些展覽，拜托畫廊停止各種宣傳，拍賣會也頻頻亮相，隨著知名度的擴(kuò)展，市場也在擴(kuò)展。市場的表現(xiàn)還表現(xiàn)在其價錢的穩(wěn)定性。假如市場長時間地處于一個穩(wěn)健有漲的狀態(tài)，就闡明投資它是穩(wěn)妥的。
Once a work of art enters the market, it is a kind of commodity, and the operation of the demand market will help it transform smoothly. Some painters focus on creation and disdain common things. No one knows their works, so there is no market. Some painters often do some exhibitions, and ask the gallery to stop all kinds of publicity. Auctions also appear frequently. With the expansion of popularity, the market is also expanding. The market performance is also reflected in the stability of its price. If the market is in a steady and rising state for a long time, it is prudent to invest in it.