字畫收藏是我們討論的比較少的領(lǐng)域，可實(shí)際上字畫收藏在我國的古玩收藏市場的大舞臺上，自古以來都是主角的地位，不少藏家都拜倒在這些名人字畫的石榴裙下。那么今天我們也來看一看字畫收藏，討論一下字畫收藏需要注意的投資的心態(tài)與方法有哪些。

　　Calligraphy and painting collection is a relatively less discussed field, but in fact, calligraphy and painting collection has always been the protagonist on the big stage of China's antique collection market since ancient times, and many collectors have fallen under the spell of these celebrity calligraphy and painting collections. So today we will also take a look at calligraphy and painting collections, and discuss the investment mentality and methods that need to be paid attention to in calligraphy and painting collections.

　　，我們來討論字畫收藏需要注意的投資心態(tài)。

　　Firstly, let's discuss the investment mentality that needs to be paid attention to when collecting calligraphy and painting.

　　，收藏字畫不可盲目跟風(fēng)。這個(gè)現(xiàn)象在古代字畫收藏圈子里所見較少，不過放在現(xiàn)代，有不少藝術(shù)家都是空有名頭，而作品實(shí)力卻是經(jīng)不起推敲。即便如此，也有不少的藏家沖著他們的名頭，去花高價(jià)入手一幅幅的“藝術(shù)垃圾”，花了錢卻買不到真正的好東西。比如趙忠祥先生的字畫，他在世時(shí)，他的字畫極高，不少人趨之若鶩。但他逝世之后，由于其作品缺少真正的藝術(shù)底蘊(yùn)，因而幾十倍的往下跌，這實(shí)在是令人唏噓。

　　Firstly, collecting calligraphy and paintings should not blindly follow the trend. This phenomenon is relatively rare in the ancient circle of calligraphy and painting collections, but in modern times, many artists have empty reputations, but their works cannot withstand scrutiny. Even so, there are still many collectors who, in pursuit of their reputation, spend high prices to buy "art garbage" one by one, but cannot buy truly good things after spending money. For example, Mr. Zhao Zhongxiang's calligraphy and paintings were extremely expensive during his lifetime, and many people flocked to them. But after his death, due to the lack of true artistic heritage in his works, the price dropped dozens of times, which is truly regrettable.

　　第二，收藏字畫不可盲目貪多。這一點(diǎn)也適用于字畫收藏。有些品質(zhì)不高的字畫，即便收藏個(gè)幾十件，它們也不會有多少升值的空間。而真正好品質(zhì)的字畫，它們卻能給藏家?guī)頂?shù)倍的經(jīng)濟(jì)效益。因此我們說，收藏字畫在精不在多。要保證我們手頭的每一件字畫，都是足夠精品的，而那些“藝術(shù)垃圾”，就盡量不要入我們手中。

　　Secondly, collecting calligraphy and paintings should not be blindly greedy. This also applies to calligraphy and painting collections. Some low-quality calligraphy and paintings, even if collected in dozens, do not have much room for appreciation. However, truly high-quality calligraphy and painting can bring several times the economic benefits to collectors. Therefore, we say that collecting calligraphy and paintings is more about refinement than quantity. To ensure that every piece of calligraphy and painting we have at hand is of sufficient quality, and those 'artistic garbage' should be avoided as much as possible from entering our hands.

　　第三，收藏字畫不要追求面面俱到。我國的字畫收藏類別是極為豐富的，像是作畫的時(shí)期、題材、風(fēng)格、畫派，這些都分類細(xì)分下來就有很多很多了，對于不少藏家而言，可能一輩子都學(xué)不完。而但凡接觸到自己沒有提前學(xué)習(xí)過的領(lǐng)域，那么收藏的風(fēng)險(xiǎn)就會直線上升。因此，小編建議大家收藏字畫切不可面面俱到。要選擇一個(gè)類別行學(xué)習(xí)和收藏，等順手了再拓展新的領(lǐng)域，以降低收藏的風(fēng)險(xiǎn)。

　　Thirdly, when collecting calligraphy and paintings, do not pursue comprehensiveness. The categories of calligraphy and painting collections in our country are extremely rich, such as the period of painting, subject matter, style, and painting school. When these are classified and subdivided, there are many, many. For many collectors, they may not be able to learn them all in their lifetime. And whenever you come into contact with a field that you haven't learned in advance, the risk of collecting will skyrocket. Therefore, the editor suggests that everyone should not collect all kinds of calligraphy and painting. To choose a category, first learn and collect it, and then expand into new fields when it is convenient, in order to reduce the risk of collecting.

　　然后，我們來討論字畫收藏需要注意的投資方法。

　　Then, let's discuss the investment methods that need to be paid attention to when collecting calligraphy and painting.

　　，收藏字畫不可透支自身財(cái)力，要量力而行。書畫作品價(jià)值不菲，少的幾千幾萬，多的幾千萬甚上億，相信對于不少的藏家，每入手一件新藏品，花出去的都不是小數(shù)目。因此，對于我們普通藏家來說，一定要衡量好自己手頭的余錢有多少，在這余錢里又有多少是適合拿來做投資的。切不可通過貸款，或是跟親戚朋友借錢的方式來透支財(cái)力購買字畫，這樣會給自己和家庭都帶來不小的風(fēng)險(xiǎn)。

　　Firstly, collecting calligraphy and paintings should not overdraw one's own financial resources and should be done within one's means. The value of calligraphy and painting works is not cheap, ranging from tens of thousands to billions. I believe that for many collectors, every time they buy a new collection, they spend a considerable amount. Therefore, for us ordinary collectors, we must weigh how much surplus money we have and how much of it is suitable for investment. Never overdraw your financial resources to purchase calligraphy and painting through loans or borrowing money from relatives and friends, as this will bring considerable risks to yourself and your family.

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