1. The works of calligraphers and painters must have a unique personal style, which means that one can know whose work it is without looking at the signature. Of course, this style is based on countless trials and experiences of most experts.

2、書畫家在追求精品的同時(shí)，作品有創(chuàng)新，即使是在某一點(diǎn)上對(duì)前人的突破也是創(chuàng)新的表現(xiàn)。有創(chuàng)新精神和精品意識(shí)的藝術(shù)家，才能不趨炎附勢(shì)，不做應(yīng)酬之作，拒絕平庸。

2. Calligraphers and painters strive for excellence while also innovating their works. Even breakthroughs in a certain point by predecessors are a manifestation of innovation. Only artists with an innovative spirit and a sense of excellence can avoid following the crowd, engaging in social activities, and rejecting mediocrity.

3、作品符合人們的審美心理，符合當(dāng)代人的審美心理，既非如此，也要遠(yuǎn)瞻未來人們的審美心理。即使不符合一個(gè)民族的審美心理，也要符合另外民族的審美心理。

3. The work conforms to people's aesthetic psychology, conforms to the aesthetic psychology of contemporary people, neither of which, but also needs to look far into the aesthetic psychology of future people. Even if it does not conform to the aesthetic psychology of one ethnic group, it must also conform to the aesthetic psychology of another ethnic group.

4、作品有高難度的技巧，或自有的獨(dú)立純熟而合理的技法。文利畫院認(rèn)為，作品難度越高，越具有不可替代性，收藏價(jià)值越高。

4. The work has high difficulty techniques or its own independent, proficient and reasonable techniques. Wenli Academy believes that the higher the difficulty of a work, the more irreplaceable it is, and the higher its collection value.

5、書畫家有自我檢討和反省的意識(shí)，稍有名氣，不能“以我觀我”“以我生我”,應(yīng)該是跳出自己狹隘的思維和圈子，以歷史的、文化甚多元角度觀我。站在更高角度提升自我，這個(gè)高度，甚定向了書畫家作品長(zhǎng)遠(yuǎn)的收藏價(jià)值。

5. Calligraphers and painters have a sense of self-examination and introspection, and have a slight reputation. They cannot "view me with me" or "give birth to me with me". Instead, they should jump out of their narrow thinking and circles and view me from historical, cultural, and even diverse perspectives. Standing at a higher angle to enhance oneself, this height even targets the long-term collectible value of calligraphers and painters' works.

6、書畫家有高尚的品格，純潔的心靈和良好的修養(yǎng)。文利畫苑認(rèn)為，作品是作者心靈的折射，技巧達(dá)到一定程度，就是書畫家人格和人品的競(jìng)爭(zhēng)，藝術(shù)的升華也是人格的升華。

6. Calligraphers and painters have noble character, pure soul, and good cultivation. Wenli Painting Academy believes that a work is a reflection of the author's soul, and reaching a certain level of skill is a competition between calligraphy and painting family character and character. The sublimation of art is also the sublimation of personality.

7、書畫家要有學(xué)識(shí)，有思想，有扎實(shí)的字畫外功，這點(diǎn)很重要。所謂腹有詩書氣自華。書畫家勤奮刻苦 ,要有不斷進(jìn)取的精神。

7. It is important for calligraphers and painters to have knowledge, ideas, and solid calligraphy and painting skills. The so-called belly is full of poetic and scholarly energy. Calligraphers and painters are diligent and hardworking, and must have a spirit of continuous progress.

8、書畫家要有對(duì)藝術(shù)的虔誠(chéng)和癡迷，攻其一點(diǎn)不及其余的作風(fēng)，乃憤世嫉俗的鋒芒和為藝術(shù)全身心投入幾近瘋狂的個(gè)性。這是判斷的書畫家潛力的一個(gè)重要標(biāo)準(zhǔn)。

8. Calligraphers and painters should have a devout and infatuated attitude towards art, a style that is no better than others, and even a cynical sharpness and a personality that is almost madly devoted to art. This is an important criterion for judging the potential of a calligrapher and painter.

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