在當(dāng)下藝術(shù)品市場火爆的時代，書畫收藏投資者如何少交“學(xué)費”、少買到名家書畫贗品成為一個不能回避的熱門話題。下面名人字畫回收中心人員就來講講購買收藏名家書畫作品注意事項。

In the current era of booming art market, how to pay less "tuition fees" and buy less fakes of famous calligraphic and painting collections for investors has become a hot topic that cannot be avoided. The following personnel from the celebrity calligraphy and painting recycling center will talk about the precautions for purchasing and collecting famous calligraphy and painting works.

其一、買名家書畫作品時只看東西是真還是假，少信東西背后的故事。東西真，背后的故事就當(dāng)掌故聽；東西假，背后的故事就當(dāng)笑話聽。因為有些故事也是制假、販假過程中的一個組成部分，編得好的故事它會讓購買人順著編故事者的思路先入為主。

First, when buying famous calligraphic and painting works, only look at whether things are true or false, and trust less about the stories behind things. When things are true, listen to the story behind them as an anecdote; When things are fake, the story behind them is a joke. Because some stories are also an integral part of the process of making and selling fakes, well crafted stories can lead buyers to follow the ideas of the storyteller.

其二、以交“學(xué)費”買來的假東西為“師”，找出自己存在的弱點，收起不懂裝懂的虛榮心。一般收藏者開始收藏名家書畫時，都會交一些“學(xué)費”，包括一些收藏大家和鑒定家也不例外。但是，如能從交“學(xué)費”買來的假東西身上找出與真跡的區(qū)別所在，由此洞悉作偽者的習(xí)慣手法，領(lǐng)悟出當(dāng)時自己判斷失誤而“吃藥”的原因，那這“學(xué)費”就沒有白交。

The second is to use fake things bought by paying "tuition fees" as "teachers" to identify their weaknesses and put aside their vanity of pretending to understand. When collectors start collecting famous calligraphies and paintings, they usually pay some "tuition fees", including some collectors and appraisers. However, if one can find the difference between the fake thing purchased from paying "tuition fees" and the authentic one, gain insight into the habits and techniques of the counterfeiter, and understand the reason why one made a mistake in judgment and "took medicine" at the time, then the "tuition fees" will not be paid in vain.

其三、認(rèn)真學(xué)習(xí)與名家書畫鑒藏相關(guān)的知識，提高自身學(xué)養(yǎng)。書畫自古以來一直是文人畫占主流地位，詩、書、畫、印的綜合水平如何成為評價一個畫家水平高低的重要法碼，字畫中有無文人氣息成為一幅字畫品位高低的關(guān)鍵。因此收藏者必須自身也要有一定的相關(guān)知識儲備，才能對字畫進(jìn)行深入的了解和理解，為判別真?zhèn)翁峁┯辛Φ膸椭?。同時還要掌握書畫家不同時期不同的書法風(fēng)格、繪畫風(fēng)格、用印特點、齋號別稱及與詩文相關(guān)的文學(xué)水平等。

Third, seriously study the knowledge related to the collection of famous calligraphies and paintings, and improve their own learning. Calligraphy and painting have always been the mainstream of literati painting since ancient times. How the comprehensive level of poetry, calligraphy, painting, and printing becomes an important yardstick for evaluating the level of a painter, and whether there is literati flavor in calligraphy and painting becomes the key to the level of taste of a calligraphy and painting. Therefore, collectors must also have a certain amount of relevant knowledge reserves in order to have a deep understanding and understanding of calligraphy and painting, and provide powerful assistance in identifying authenticity. At the same time, it is necessary to master the different calligraphic and painting styles, painting styles, seal characteristics, nickname of Zhai, and literary level related to poetry and prose of calligraphers and painters in different periods.

其四、需拜真正的書畫鑒定家為師。因為鑒定書畫的有些關(guān)鍵要義，只能通過真正的書畫鑒定家面對實物進(jìn)行辨析和口傳心授方能讓學(xué)習(xí)者悟出其中的奧妙。比如像作品的氣韻是否生動、每位書畫家不同的筆墨特征以及不同年代所應(yīng)有的年代感，這些都要在真正的書畫鑒定家指導(dǎo)下方能體悟。

Fourth, it is necessary to worship genuine calligraphers and painters as teachers. Because there are some key points in identifying calligraphy and painting, only through real calligraphers' identification and oral instruction can learners understand the mystery. For example, whether the charm of a work is vivid, the different characteristics of each calligrapher and painter's brush and ink, and the sense of time that should have existed in different eras should be understood under the guidance of a true calligrapher and painter.

大多數(shù)古今書畫作品，特別是近現(xiàn)代名家書畫作品，只要認(rèn)真對待、細(xì)致辨識，還是可以辨別真?zhèn)蔚?。投資古代書畫和近現(xiàn)代書畫時，在辨識真?zhèn)蔚囊罁?jù)上雖有一些差異，但基本思路和方法是共同的。更多相關(guān)內(nèi)容就來我們網(wǎng)站http://www.tz998.com咨詢吧！

Most ancient and modern calligraphy and painting works, especially those of famous modern calligraphers, can still be identified as true or false as long as they are taken seriously and carefully identified. Although there are some differences in the basis for identifying authenticity when investing in ancient and modern calligraphy and painting, the basic ideas and methods are common. For more relevant content, please visit our website http://www.tz998.com Consult!