1、 What is "final draft"?

所謂的“打底稿”，是指在山水畫創(chuàng)作的時候，先用炭筆或淡墨線條，在空白紙上把丘壑的大概位置草草的勾畫出來，到正式創(chuàng)作的時候，山石和林木盡量畫在框定的范圍內(nèi)。

The so-called "final draft" refers to that when creating landscape paintings, the approximate location of the gullies is sketched on the blank paper with charcoal or light ink lines. When formally creating, the mountains, stones and trees are painted within the frame as much as possible.

這種作畫方式古人有用也有不用，對于比較嚴(yán)謹(jǐn)?shù)娜缛宋锂嫽蚬すP山水畫則用之，寫意山水畫則不用。對于有較高的形似要求的繪畫，還是采用“打底稿”的方式比較穩(wěn)妥。

This way of painting was useful and unnecessary in the ancients. It was used for more rigorous paintings such as figure painting or meticulous landscape painting, and not for freehand landscape painting. For paintings with high shape similarity requirements, it is safer to adopt the method of "draft".

但要注意，采用“打底稿”的方式作畫，容易陷入“描摹”的泥潭而不能自拔。說白了就是容易拘于丘壑中的“形”而忽略內(nèi)心的情感，導(dǎo)致作品沒有靈魂，時間一長，就養(yǎng)成一種積習(xí)，非常難以改掉。不能青天對白紙、天馬行空般的創(chuàng)作，難以創(chuàng)作出“逸氣橫飛”之佳作。

However, it should be noted that painting in the way of "final draft" is easy to fall into the quagmire of "description". To put it bluntly, it is easy to stick to the "shape" in the gullies and ignore the inner feelings, resulting in the work without soul. Over time, it will develop a habit, which is very difficult to get rid of. It is difficult to create a good work of "flying with ease" without Qingtian's creation of white paper and wild horses.

二、如何避免“打底稿”養(yǎng)成的積習(xí)？以下這種方法，值得你一試。

2、 How to avoid the habit of "making final drafts"? The following method is worth trying.

山水畫是寫心暢神的，要求創(chuàng)作者胸中包藏宇宙天機，到正式落筆方可灑然落墨、兔起鶻落、氣隨筆運。千萬不要養(yǎng)成“打底稿”，按部就班的創(chuàng)作方式。

Landscape painting is written with a smooth heart and spirit. It requires the creator to keep the secret of the universe in his chest. Only when he officially writes, can he sprinkle the ink, rise and fall of rabbits and Qi with the pen. Never form a "final draft" and step-by-step creative method.

具體該怎么做？

What exactly should I do?

“養(yǎng)”字訣而已，一旦你悟透了“養(yǎng)”字訣，你就會進入自由創(chuàng)作的境界，可以憑借山水畫來寫心暢神了。

It's just the formula of "raising". Once you understand the formula of "raising", you will enter the realm of free creation, and you can write your mind and spirit with landscape painting.

所謂的“養(yǎng)”字訣，其實就是厚積胸中宇宙之機，內(nèi)心浩然之氣。

The so-called "nourishing" formula is actually to accumulate the opportunity of the universe in your heart and the courage in your heart.

該如何著手養(yǎng)呢？

How to start raising?

一、精通經(jīng)史子集，對畫論畫史爛熟于心。

1、 Proficient in classics and history, familiar with painting theory and painting history.

這一步，確實不容易，但對于喜愛和癡迷山水畫的人士來說，這不是什么難事。因為他們明白，山水畫是寫心中的志向和自己的一種人生感悟，只有自己內(nèi)心素養(yǎng)豐厚了，才有東西可寫。對此，就一定要下功夫研究經(jīng)史子集，對歷代畫論畫史爛熟于心。

This step is indeed not easy, but it is not difficult for those who love and are obsessed with landscape painting. Only when they write landscape paintings, can they understand their own aspiration and understanding of life. In this regard, we must make great efforts to study the sub collection of classics and history, and be familiar with the painting theory and history of previous dynasties.

二、不間臨池之志。

2、 It's not a dream.

山水畫的創(chuàng)作離不開實踐，只有理論沒有實踐，一切都是空話。

The creation of landscape painting is inseparable from practice. Only theory without practice, everything is empty talk.

而山水畫的實踐，要求的是不間斷的、幾十年如一日的訓(xùn)練，歷代山水大家就是很好的榜樣，幾乎都是這樣。黃公望、黃賓虹等山水大家，他們?nèi)〉玫某删团c他們幾十年如一日的臨池實踐是分不開的。他們的創(chuàng)作是不需要“打底稿”的，面對青天白紙，胸中宇宙之機，就會如雨后春筍般不斷的妙筆生花，無窮無盡。

The practice of landscape painting requires continuous training for decades. People in the past dynasties are good examples, almost all of them. Huang Gongwang, Huang Binhong and other landscape masters, their achievements are inseparable from their decades of practice. Their creation does not need a "final draft". In the face of blue sky and white paper and the opportunity of the universe in their chest, they will spring up with endless wonderful pen and flowers.

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