1. Books and paintings that are not mounted temporarily cannot be folded and stacked at will, otherwise they will break from the fold or leave black creases at the fold after storage for a long time, which will affect the beauty after mounting. If you want to appreciate it temporarily, you must not nail it on the wall or paste it on the wall, otherwise it will directly damage the calligraphy and paintings. The correct way to preserve the calligraphy and painting pieces is to lining the calligraphy and painting pieces with a layer of rice paper or leather paper with appropriate thickness, roll up the calligraphy and painting pieces with the paper roll as the axis, pack them with white paper or plastic film and put them in the painting box or bookcase.

2.書畫裝裱后更應(yīng)妥善保存，存放的當?shù)匾紤]防潮、防蛀、防鼠、防陳腐、防玷污等?？蓪⒚考嬔b入一個塑料袋或布袋，也可用白紙包好，存放時要平放，切勿豎置，更不要在書畫上面放置重物使書畫受壓。假定有條件，可根據(jù)書畫標準制作畫盒，并在盒內(nèi)放些樟腦和吸潮劑。

2. Calligraphy and paintings should be properly preserved after mounting. Moisture proof, moth proof, rat proof, anti-aging, anti staining, etc. should be considered first in the place where they are stored. Each painting and calligraphy can be put into a plastic bag or cloth bag, or wrapped in white paper. When storing, it should be placed horizontally, not vertically, and don't put heavy objects on the painting and calligraphy to make the painting and calligraphy under pressure. If possible, the painting box can be made according to the calligraphy and painting standards, and some camphor and moisture absorbing agent can be put in the box.

3.書畫裱件存放時不宜卷得過緊或過松，更不可反卷。假定卷得過緊，天地頭兩頭就會留下畫心與邊料接縫的壓痕，影響書畫的美麗，還可能導(dǎo)致裱件的變形或出現(xiàn)墜落;假定卷得過松，簡略折毀書畫;假定反卷，會使書畫出現(xiàn)一道道折痕，特別是古舊書畫危害更大。

3. When storing calligraphy and painting mounts, they should not be rolled too tightly or too loosely, nor should they be rolled back. If it is rolled too tightly, the indentation of the seam between the painting center and the edge material will be left at both ends of the world, which will affect the beauty of calligraphy and painting, and may also lead to the deformation or falling of the mounting; If the volume is too loose, the calligraphy and painting will be simply destroyed; If you rewind, there will be creases in calligraphy and painting, especially ancient calligraphy and painting.

4.懸掛和展現(xiàn)書畫時要穩(wěn)重從事。懸掛書畫時要一手持畫釵挑住畫繩，一手托住書畫未翻開的部分，然后逐步放開來將書畫掛起，取下畫釵。

4. Be steady when hanging and displaying calligraphy and painting. When hanging calligraphy and painting, hold the painting rope in one hand, hold the unopened part of the calligraphy and painting in the other hand, and then gradually release it to hang the calligraphy and painting and remove the painting hairpin.

展現(xiàn)書畫時要一人牽引畫繩，另一人兩手持軸頭將書畫翻開，切忌兩手向上持書畫中心部分，否則5指會將書畫劃出折痕。關(guān)于無軸頭的書畫作品，展現(xiàn)時要用兩指夾住，使畫件從指縫中通過。此外，還應(yīng)留心書畫不宜長時間懸掛，掛一段時期后要卷起保藏一段時間;對久存的書畫要守時掛出來通風。

When displaying calligraphy and painting, one person shall pull the painting rope, and the other person shall hold the shaft head with both hands to open the calligraphy and painting. Do not hold the central part of the calligraphy and painting upward with both hands, otherwise the 5 fingers will make a crease in the calligraphy and painting. As for calligraphy and painting works without shaft head, they should be clamped with two fingers to make the painting pass through the fingers. In addition, we should also pay attention that calligraphy and painting should not be hung for a long time. After hanging for a period of time, they should be rolled up for preservation for a period of time; The long-standing calligraphy and paintings should be hung out on time for ventilation.

5.展現(xiàn)手卷、冊頁更要加倍留心，因手卷、冊頁的裝裱較其他書畫的裝裱凌亂。手卷在展現(xiàn)時要放置平坦的案頭或桌子上，留心案面或桌面不應(yīng)有水點或臟物。手卷翻開時不宜展得過長，要邊展邊卷。冊頁翻開時不用手指翻，可用一個潤滑而無毛刺的竹條插進冊頁夾頁之間翻頁。冊頁一般較厚，開端翻頁或翻到究竟幾頁會出現(xiàn)雙面薄厚不均，兩頁之間懸空，此時假定不留心壓住幅面中心的懸空處，則易構(gòu)成折斷現(xiàn)象。

5. Pay more attention to the display of hand scroll and album, because the mounting of hand scroll and album is more messy than that of other calligraphy and painting. The hand roll should be placed on a flat desk or table when it is displayed. Be careful that there should be no water spots or dirt on the desk or table. When the hand roll is opened, it should not be extended too long. It should be rolled while unfolding. It is better not to turn the album with your fingers. A lubricated and burr free bamboo strip can be inserted between the album clips to turn the page. The album is generally thick. When you turn the page or turn to what pages, there will be uneven thickness on both sides, and the two pages will be suspended. At this time, if you don't pay attention to pressing the suspended place in the format center, it is easy to form a fracture phenomenon.

6.保管現(xiàn)已破損的古舊書畫更要穩(wěn)重，一時不能修正的不要隨意展現(xiàn)，以防止書畫再度破損。假定是已破碎的書畫則更要防止散片丟掉，防止給將來修正帶來困難。無論是新舊書畫，只需原裱尚能懸掛，畫心尚無破損，一般不要急于揭裱修正，因揭裱一次就會對書畫的紙素損害一次。假定原裱書畫墜落或畫心破損嚴峻，則應(yīng)及時進行揭裱修正。

6. Keep the damaged ancient calligraphy and paintings more steadily. Don't show them at will if they can't be corrected at the moment, so as to prevent the calligraphy and paintings from being damaged again. If it is a broken calligraphy and painting, it is more necessary to prevent the scattered pieces from being lost and bring difficulties to future correction. Whether old or new calligraphy and painting, as long as the original mounting can still be hung, and the painting heart is not damaged, generally do not rush to uncover and mount for correction, because exposing and mounting once will damage the paper quality of calligraphy and painting once. If the original mounted calligraphy and painting falls or the center of the painting is seriously damaged, it shall be uncovered and mounted in time.