印泥是我國專有的文房之寶,無論是文件簽署,還是歷史文物以及金石書畫之鈐記,都需要使用.今天
收購名人字畫就為大家講解一下印泥的選擇方法.
Inkpad is our country's exclusive treasure of the study, whether it's document signing, or historical relics, as well as inscriptions of gold, stone, calligraphy and painting, all need to use. Today's acquisition of celebrity calligraphy and painting will explain how to choose inkpad
1、是否滲油.滲油與否,是書畫印泥有別于一般辦公印泥的基本特征,需要通過瞧察印蛻進(jìn)行比較.事實(shí)上,沒有任何油滲的印泥是不存在的,特別是在夏天高溫時(shí)使用.名人字畫收購所說的是書畫印泥必須做到?jīng)]有明顯的外滲,同時(shí)不能滲色,否則就不可用.
1. In fact, there is no ink without any oil seepage, especially when it is used in high temperature in summer. What celebrity calligraphy and painting acquisition said is that there must be no obvious extravasation of ink and painting, at the same time, there must be no color seepage, otherwise it will not be used
2、干和濕.總的來說,小印宜干,篆刻宜干,大印宜濕,國畫宜濕,書法適中.這個(gè)干濕是相對(duì)的,一般選購時(shí)可以通過觸捏硬度來判定(基本上各家印泥同一品種不同批次都會(huì)有干濕的差別).
2. Generally speaking, small seal should be dry, seal cutting should be dry, large seal should be wet, traditional Chinese painting should be wet, and calligraphy should be moderate. This dry and wet is relative, and generally can be determined by the hardness of touch and pinch when purchasing (basically, there are differences in dry and wet among different batches of the same type of inkpad)
3、大和小.因?yàn)橹焐暗谋戎厥撬?倍,而一般顏料的比重要小得多,因此同樣重量,純朱砂或者朱砂比例比較高的,體積就小.
3. Because the specific gravity of cinnabar is 8 times that of water, and the specific gravity of general pigments is much smaller, so the same weight, pure cinnabar or cinnabar with higher proportion, the volume is smaller

4、鮮艷程度.印泥以紅色系居多,真正純朱砂的印泥,顏色的鮮艷程度,都不及人工合成的顏料,因此可以留意比較.純朱砂的印泥,顏色都很復(fù)雜,也就是像幾種顏色疊加的感覺,而添加了合成顏料的或 者純合成顏料的,就是很單調(diào)的呈色.朱砂的特點(diǎn)是顏色可以持久保持,而不是非常鮮艷.
4. The color of pure cinnabar inkpad is very complex, that is, the feeling of superposition of several colors. The color of pure cinnabar inkpad with synthetic pigment or pure synthetic pigment is very monotonous. The characteristic of cinnabar is that the color can be maintained for a long time, Not very bright
5、遮蔽性、鈐蓋在墨跡上,上乘的印泥具備良好的遮蔽力.將紙對(duì)著強(qiáng)光,即使印泥是紅的,瞧到的印蛻也是暗灰色的,因?yàn)檎诒涡院枚煌腹?
5. When the paper is exposed to strong light, even if the ink is red, the imprint is dark gray, because it has good shielding and is not transparent
6、印文還原性.同一印章反復(fù)鈐多次,比較印蛻和印章,好的印泥失真小,且多次鈐蓋的印蛻差別小.特別是篆刻創(chuàng)作使用的印泥,需要特別強(qiáng)調(diào)印文的還原性,否則前期的創(chuàng)作水平可能打折扣.特別是元朱和鑿印風(fēng)格這些對(duì)印文邊緣痕跡需要比較精準(zhǔn)的,如果印泥失真性比較大,則無法體現(xiàn)原味.
6. The same seal is repeatedly stamped, compared with the seal and the seal, the distortion of the good seal paste is small, and the difference between the seal and the seal is small. In particular, the seal paste used in seal cutting creation needs to pay special attention to the reduction of the seal, otherwise the early creation level may be compromised. Especially, the Yuan Zhu and chisel seal style need to be more accurate, If the ink distortion is relatively large, it can not reflect the original
7、光澤.特別油光或者特別暗淡的都不好,前者浮油較快或者油分過多,后者會(huì)印文不夠清楚.
7. Gloss. Especially oily or very dim are not good, the former oil floating faster or too much oil, the latter will not be clear enough
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